An evening of contemporary Indian classical music

Piano + mrudangam

Utsav Lal, often known as ‘Raga Pianist’ has set a precedent with his innovative handling of Indian Classical music.  the world with his innovative handling of Indian Classical Music on a Western instrument, The Irish Times describes Utsav Lal as “a fleet-fingered performer whose best moments can be both highly evocative and dazzling.” Lal’s ground-breaking work has garnered an impressive career spanning two decades, with solo performances at world famous venues like Carnegie Hall (New York), Southbank Centre (London), Kennedy Center (Washington DC), Steinway Hall (New York), Asia Society (Hong Kong),  Arts Center (Melbourne).

Treading the careful line between an ancient tradition and the innate desire for innovation with utmost respect, Lal’s music is acclaimed for its sincerity, depth and powerful intensity. With unfailing clarity of technique and  rhythmic virtuosity, his work is deeply influenced by Dhrupad and  gains inspiration from a vast array of sources such as The Necks, Thelonious Monk, Tsegué-Maryam Guèbrou and Cecil Taylor. Lal has challenged commonly understood ways of improvisation to develop his own unique voice for the piano, taking stage at leading festivals including Novara Jazz (Italy), San Francisco Silent Film (USA) AsiaTopa Festival (Australia), Masters of Tradition (Ireland).

Endorsed as Young Steinway Artist, TiE Aspire Young Indian Achiever,, Yamaha Jazz Scholar, Lal has been recognized for his extensive collaborative work with Irish, Scottish, Jazz and Experimental artists including leading names like  Martin Hayes, Dennis Cahill, Winifred Horan, Australian Contemporary Circus Theatre CIRCA, Talvin Singh, George Brooks, Rajna Swaminathan. Lal has 7 solo record releases which include a historic world’s first album on the microtonal “Fluid Piano” (2016). Lal holds a Masters in Contemporary Improvisation (New England Conservatory of Music), Bachelor’s in Jazz (Royal Conservatoire of Scotland)  and is a disciple of  Dhrupad vocalist Ustad F. Wasifuddin Dagar.

Rajna Swaminathan is an acclaimed mrudangam artist, composer, and scholar. Rajna has been described as “a vital new voice” (Pop Matters), creating “music of gravity and rigor… yet its overall effect is accessible and uplifting” (Wall Street Journal). In her music and research, she explores the undercurrents of rhythmic experience and emergent textures in collective improvisation.

One of only a few women who play the mrudangam professionally, Rajna received her creative foundation on the instrument from her father, P.K. Swaminathan, and mrudangam legend Umayalpuram K. Sivaraman. Through extensive experience performing in the Karnatik music and bharatanatyam scenes, an affinity for various streams of South Asian film/popular music, and deep collaborative work in New York's jazz and creative music scene, Rajna developed experimental approaches to improvising on the mrudangam, piano, and voice. 

Rajna’s orientation as an improviser-composer blossomed through a search for resonance and fluidity among musical forms and aesthetic worlds. Her ensemble RAJAS has been a prominent medium for her expansive compositions, which involve a lattice of rhythmic, textural, and modal approaches. The ensemble's sound has been described as “unlike any other on the scene” (New York Times), and their debut album, Of Agency and Abstraction (Biophilia Records, 2019), received much critical acclaim.